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![Anne Kay, visual artist, Conversational Portraits, 2000, self-portraits, charcoal drawing, Elastic Project Space, artist-run-spaces, artist-run-galleries](https://static.wixstatic.com/media/b54127_71ce6e60480b4151b35caa23639bfd5d~mv2.jpg/v1/fill/w_187,h_186,q_90/b54127_71ce6e60480b4151b35caa23639bfd5d~mv2.jpg)
![Anne Kay, visual artist, Conversational Portraits, 2000, self-portraits, charcoal drawing, Elastic Project Space, artist-run-spaces, artist-run-galleries](https://static.wixstatic.com/media/b54127_09b9385d32b44dd6a1c6f134e5d27166~mv2.jpg/v1/fill/w_187,h_186,fp_0.5_0.24,q_90/b54127_09b9385d32b44dd6a1c6f134e5d27166~mv2.jpg)
![Anne Kay, visual artist, Conversational Portraits, 2000, self-portraits, charcoal drawing, Elastic Project Space, artist-run-spaces, artist-run-galleries](https://static.wixstatic.com/media/b54127_af0980d9fd1f49e395cd90c031e3f3a0~mv2.jpg/v1/fill/w_186,h_186,fp_0.9_0.53,q_90/b54127_af0980d9fd1f49e395cd90c031e3f3a0~mv2.jpg)
![Anne Kay, visual artist, Conversational Portraits, 2000, self-portraits, charcoal drawing, Elastic Project Space, artist-run-spaces, artist-run-galleries](https://static.wixstatic.com/media/b54127_86943056cd2d4854b98007f7f70d5f2c~mv2.jpg/v1/fill/w_187,h_186,q_90/b54127_86943056cd2d4854b98007f7f70d5f2c~mv2.jpg)
![Anne Kay, visual artist, Conversational Portraits, 2000, self-portraits, charcoal drawing, Elastic Project Space, artist-run-spaces, artist-run-galleries](https://static.wixstatic.com/media/b54127_e84bff062c8149c1a92c8940d68d2acb~mv2.jpg/v1/fill/w_187,h_186,fp_0.62_0.24,q_90/b54127_e84bff062c8149c1a92c8940d68d2acb~mv2.jpg)
![Anne Kay, visual artist, Conversational Portraits, 2000, self-portraits, charcoal drawing, Elastic Project Space, artist-run-spaces, artist-run-galleries](https://static.wixstatic.com/media/b54127_59d70cb9cc0c48bd87d50afc9decd0e7~mv2.jpg/v1/fill/w_186,h_186,fp_0.44_0.3,q_90/b54127_59d70cb9cc0c48bd87d50afc9decd0e7~mv2.jpg)
Conversational Portraits*, 2000
A series of 13 charcoal self-portraits. The title was borrowed from a chapter in Music for Chameleons, a collection of short stories by Truman Capote in which his dialogue with the subjects of the stories forms a portrait. Mike Parr’s drawing class at Sydney College in 1990 also influenced this work despite the fact that I did not attend the class (since I didn’t like self-portraits and I knew I couldn’t draw). Exhibited at the Elastic artist run space in 2000.
Read Leah McLeod's essay, Elastic Project Space
Read Anne Finegan's essay about Elastic Printed Project
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